Browsing: Anamorphic

(The anamorphic footage starts around 10 seconds in) The new SLR Magic Anamorphot 50 jointly developed with the help of EOSHD is here in it’s final non-prototype form and I’ve shot the above video with it (Sony FS100). This should give you an idea of how the flare moves around during a shot and the general anamorphic aesthetic you are able to get with the adapter. Also part of the…

At the beginning of the IFA show in Berlin, Andrew from SLR Magic dropped by at my studio and dropped off the V2 and V3 anamorphic prototype lenses the company are working on. As long time EOSHD readers will know I am a passionate advocate and shooter of anamorphic. The SLR Magic anamorphic is the first new lens of it’s kind to be announced in many years.

Get the EOSHD Anamorphic Shooter’s Guide for a comprehensive guide to anamorphic lenses, which ones to use, how to get them and how to shoot Download the 2.5k 2560×1280 Vimeo file and playback on a 2.5K or 4K display for best results Download a pack of DNG frames from the original raw files to judge quality The spec sheet is impressive. 14bit linear bayer raw is sub-sampled from a 6K sensor,…

Thanks to Volker for spotting the info. Image credits and further reading: Django Unchained / Robert Richardson at The American Cinematographer Magazine ~ Django Unchained echoes spaghetti westerns at Kodak camera and television Learn the ropes and unholster your gun – The EOSHD Anamorphic Shooter’s Guide I honestly can’t remember the last time I was so gripped by a mainstream piece of cinema. For the first half I had a permanent grin etched on my…

The Lens Whilst Canon L lenses are like a fleet of company Lexus cars. This isn’t really what I want in my films. I need something different. Something with character. For this reason I’ve long been using anamorphic lenses. I recently shot some test footage with the Iscorama 54 anamorphic. This is essentially an Iscorama 36 but instead of a 36mm rear element it is 54mm. Even though the whole…

Check out more of Andrew Wonder’s work here Director, cinematographer and DSLR user Andrew Wonder talks to EOSHD about his latest anamorphic spot for G.E… The technology behind the shoot is rather interesting. Two Sony F3 cameras mounted on the front of the train, remotely controlled and recording to e-sata drives in the control carriage, kitted out with Joe Dunton / Panavision anamorphic lenses from London. Joe Dunton is a…

Get Dreamleaver by Herdwhite on iTunes Embedded video not showing? Click here to view or download on Vimeo A big thanks to Ciecio7 for donating his superb OCT19 to E-Mount lens adapter for this shoot. This is available on eBay. We shot this with the young German movie actress Lili Zahavi (IMDB) and theatre actor Niklas Brubach. A big thanks to both of them for their performances. This is a music video…

Get the new firmware here for the 5D Mark III The 2nd Alpha release of Magic Lantern for the 5D Mark III brings a very useful feature for anamorphic shooters such as I, a real-time anamorphic aspect ratio preview in live view. This is extremely useful for shooting bare bones with an anamorphic lens, or for those with no monitor / EVF that supports anamorphic de-squeeze.

Above: the BMD Cinema Camera pictured in a photo from PhotoCineRent in France. I have pre-ordered mine. The Blackmagic Cinema Camera is nearing release and final sensor calibration / firmware adjustments are taking place. When I last spoke to beta shooter John Brawley about his involvement with the camera, he had this to say on an anamorphic mode… “We have discussed the possibility of doing anamorphic. They’re aware that it’s a…

Find out more about anamorphic shooting in my book, the EOSHD Anamorphic Shooter’s Guide 2nd edition I was in Shanghai for most of November. Shanghai is a monstrous megapolis of concrete really and not quite what I was expecting. It is FAR rawer than Tokyo or Taipei and a lot of the old cultural relics have been swept away – but it was a very interesting place to visit and…

Here is a quick test I conducted in Berlin today… No bloody charts, just a pair of AKG headphones. The idea was to focus on the AKG badge, determine sharpness and judge the overall character of the lenses. The apertures are at a minimum for each lens – maybe you can go a bit lower on the Proskar but the Canon FD 50mm Macro is a good fit for it,…