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You can find all our latest articles on the home page at www.eoshd.com The blog section of the site has been replaced with the new design.
**Site news: I have been working on a new home page for EOSHD.com** To view the preview, click on the 'HOME' button under the logo at the top of this screen. I hope you like the new look, with the sidebars. These can include pretty much anything I dream up. Suggestions are welcome. What do you think of the layout? Any problems? Does it fit on your screen? Anything untidy that you dislike? It would be great to hear your thoughts on this new layout and you may comment at the bottom of this article! Also a thank you - to you. All 1000 of you who visit the site every day, on average. ...
Here is some news on something I am really looking forward to at EOSHD.com Philip Bloom has revealed via Twitter that he's taken delivery of a Panasonic LA7200, and intends to use it on the Canon 7D with a 35mm L prime lens. It's great that Bloom has chosen the relatively in-expensive Panasonic anamorphic adapter over the much rarer Iscorama! The LA7200 is available on eBay for between $400 and $500, so get your order in on eBay now before everyone wants one!! I'll post more in Part 3 of my anamorphic series, after Philip has written his blog and shot what should be some pretty amazing footage. ...
Shown here at CP+, a camera from Sony so new it doesn't have a model number yet. It was presented simply as an 'advanced model'. This is big news I feel, hence the separate article from the ongoing CP+ Japan show report. Clearly visible on the top of the camera is a top-LCD panel and the AVCHD HD moniker. Lower down you see that it features built-in steady shot. It seems the GH1 is finally getting some serious competition in the video stakes. As you can see, it seems to have a well built body more like the 5DMkII. Oddly, the 'advanced model' lacks an articulated screen. The ...
* Brain by Panasonic * Lens by Canon * Bomb EVF by Zacuto (Above: Panasonic anamorphic 2.35:1 adapter lens on the GH1, plus Zacuto Z-Finder) Forgive the title and don't worry. To get the ultimate in cinematics you no longer need to spend tons of money!! As you'd know from balancing on the cutting edge of digital cinema over the last decade, your view from the top would look like this: big, RED and expensive. But businesses who bought into the RED philosophy exclusively lock-stock and barrel are now struggling in the face of competition from cheaper HDSLRs. The 'Real Film Makers' who ...
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