DJANGO UNCHAINED – Anamorphic is Tarantino’s preference – how DP Robert Richardson shot masterpiece ‘spaghetti southern’

Django Unchained - Tarantino, Richardson

Thanks to Volker for spotting the info. Image credits and further reading: Django Unchained / Robert Richardson at The American Cinematographer Magazine ~ Django Unchained echoes spaghetti westerns at Kodak camera and television

Learn the ropes and unholster your gun – The EOSHD Anamorphic Shooter’s Guide

I honestly can’t remember the last time I was so gripped by a mainstream piece of cinema. For the first half I had a permanent grin etched on my face for at least an hour, and for the second half I was on the edge of the seat with the kind of tension and sheer terror that you rarely see with the pacing of most mainstream movies – Ridley Scott did it with Alien and Tarantino’s completely mastered it here. The first act is like the journey of a roller coaster up the tracks and then for the 2nd half it comes rocketing down and you’re terrified.

Django Unchained is a towering achievement – and here’s how it was shot.

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Forum hot topics – Anamorphic, Metabones Speed Booster, raw GH3 footage and more

“They each have their own unique character. Which image do you prefer?”

Iscorama VS Iscomorphot 8 2x VS Iscomorphot 8 1.5x by QuickHitRecord.

This is a new weekly series on EOSHD.

The forum is really booming at the moment. A while ago on the site I decided to redirect the article comments system into the forum and that has seen a big increase in the number of people using it not just to comment, but to add their own content. Some of it deserves to be given wider attention so the best posts will from now on be promoted to the front page.

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