A French rental house tries lenses on the Blackmagic Cinema Camera (La Blackmagic Camera passe chez PhotoCineRent)
Here I have rounded up all the lenses I have in mind for achieving a wide angle on the 2.3x crop sensor of the Blackmagic camera.
UPDATE: CVP in the UK are taking pre-orders at just £4162+ VAT (£4999) which is much better than expected. The initial price quotes by sources was $8000. When the Adorama / B&H pre-orders start, will update the pricing info again
Canon today launched the much speculated Canon C100, the budget version of the C300. Initially set for a price under the Sony FS700 (around $8000), the camera is double the price of a used FS100 but features built-in ND filters and the same sensor as the C300. The design and handling looks fantastic, it is even smaller than the C300 (by some 15%) but the major compromise is the codec which is now AVCHD at 24Mbit 4-2-0.
However HDMI is uncompressed so for effectively another $300 you can record broadcast standard material to a Blackmagic HyperDeck Shuttle in ProRes.
I really like the C100 at first glance. But will it be enough to compete with the FS700?
With both cameras around the $3000 with a Canon lens mount, and the DSLR being such a popular choice for video, I thought I’d examine the reasons for buying one or the other. Which should you choose?
Photokina is less than a month away now and it is going to be a busy time. I will be there to get my hands on the new cameras, and I don’t think I can remember a month like this with such exciting products being released.
Sony’s full frame camcorder the VG-900 will have a mirrorless mount, all in a video camera form factor for £2.5k and of course we have the Blackmagic Cinema Camera which soots amazing 12bit raw for the same price. These were mythical cameras only 6 months ago. Raw video for $3000? Full frame video camera with E-mount?
Then we come to the GH3.